Let's be honest. I did not see Fred Claus in the theaters last year for the same reason most of you right-thinking people didn't either. It reeked of big-budget holiday bloat, and as much as I love Vince Vaughn, we've seen this performance in half a dozen other Vaughn comedies, from Swingers and Made, through Old School and Dodgeball, right up to Wedding Crashers and The Break-Up.
But as James noted in his Four Christmases review the other day, there's a reason Vaughn keeps taking these roles and we eventually show up to watch them: He's found his niche and he's really, really terrific in it. (One of the great things about Vaughn is that
no amount of make-up can hide when he's obviously hungover, which
appears to be much of the time. I wouldn't be surprised if the bags
under his eyes have their own representation.)
For the record, two of my favorite Vaughn performances are not actually in films. One is the outtakes from the hotel room scene in Made, where director Jon Favreau simply lets Vaughn riff, cranking that Swingers Thing up to "puree" for a good ten minutes. Made is interesting not just because it's Fav's directorial debut--before Elf, before Iron Man--but it's also Vaughn returning to the character type that made him famous: Trent from Swingers. You might not recall, but after Swingers, Vaughn tried to play it straight, taking mostly non-comedic roles in films like The Lost World: Jurassic Park, Clay Pigeons, Return to Paradise, The Cell, and most infamously, Gus Van Sant's shot-for-shot remake of Psycho. None of that really worked out all that well, and Made is him letting out a sigh and saying "Okay, you want Trent, I'll give you Trent." And so he has for the past seven years. (A couple rare and commendable exceptions were supporting roles in Thumbsucker and Into the Wild.)
My second favorite Vaughn performance was his guest-hosting stint on the Late Show when Letterman had the shingles.That's where Vaughn showed the real appeal behind his shtick: It's not just the get-with-the-program speed-jabber, but that behind the full-court-press verbal assault is a charming regular guy who wants everyone involved, on-board, and down with him. The hook for Vaughn's "Trent" character is that he's not elitist, not weird, and doesn't want to get you in trouble or ruin your life--he just wants you to join his party.
Which brings us, finally, back to Fred Claus, directed by David Dobkins, who previously worked with Vaughn in Clay Pigeons and Wedding Crashers. As the n'er-do-well older brother of Nick "Santa" Claus (a wonderful, achingly sincere Paul Giamatti), Vaughn's character is still Trent, with a bit more con-man cynicism layered on.
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